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Music Director Thomas Dausgaard and the Seattle Symphony shine in Rachmaninov’s Symphonic Dances, evoking church bells and Russian Orthodox chants — the composer reminiscing about his homeland. Francisco Coll composed his Violin Concerto as a portrait of its charismatic soloist, the fabulous Patricia Kopatchinskaja.
Music Director Thomas Dausgaard and the Seattle Symphony shine in Rachmaninov’s Symphonic Dances, evoking church bells and Russian Orthodox chants — the composer reminiscing about his homeland. Francisco Coll composed his Violin Concerto as a portrait of its charismatic soloist, the fabulous Patricia Kopatchinskaja.
Composers often look over their shoulders. To memorialize friends who had died in World War I, Ravel took refuge in the airy, graceful forms of the French Baroque. In Pulcinella, Stravinsky melded Classical poise with modern rhythms and harmonies. And in Carlo, Brett Dean elaborates on music of love, death and guilt by the notorious madrigalist (and murderer!), Carlo Gesualdo.
Composers often look over their shoulders. To memorialize friends who had died in World War I, Ravel took refuge in the airy, graceful forms of the French Baroque. In Pulcinella, Stravinsky melded Classical poise with modern rhythms and harmonies. And in Carlo, Brett Dean elaborates on music of love, death and guilt by the notorious madrigalist (and murderer!), Carlo Gesualdo.
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