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From Daphnis et Chloé’s rapturous sunrise to the sultry jazz tones in the Concerto in G, Ravel’s orchestral scores saturate the stage with extravagant colors, which are never more vibrant than within the perfect acoustics of Benaroya Hall.
From Daphnis et Chloé’s rapturous sunrise to the sultry jazz tones in the Concerto in G, Ravel’s orchestral scores saturate the stage with extravagant colors, which are never more vibrant than within the perfect acoustics of Benaroya Hall.
From Daphnis et Chloé’s rapturous sunrise to the sultry jazz tones in the Concerto in G, Ravel’s orchestral scores saturate the stage with extravagant colors, which are never more vibrant than within the perfect acoustics of Benaroya Hall.
Gabriel Royal's cello talent was discovered in the subway. In a New York minute, he went from serenading in subterranean tunnels to working with director Blake Farber (best known for his work with Beyoncé). Influenced by Stevie Wonder’s groove and Burt Bacharach's jazzy sensitivities, Gabriel has developed a trademark song-over-cello sound all his own.
